Photography During the Golden Hour and Why it Rocks

As a wedding and portrait photographer I need to know how to deal with all manner of lighting situations. Taking photographs away from the studio means you are handing over a lot of the control to mother nature, and you have to be able to embrace what she throws at you. Having said that though, if I could pick just one time to take photographs it would be during what the photographic community refers to as “the golden hour”.

In this article I want to take a look at why I (and so many other photographers) love photographing at this time and the underlying reasons behind what makes this light great.
For so many years as a photographer I bumbled my way through image making, all the time overlooking the importance of light.  It seems crazy I know, but I’m serious. I was looking at other important factors such as the camera I was using, my lenses, composition, posing and wasn’t paying enough attention to the number one ingredient: light.

Bride holding veil in sand dunes

So what is the golden hour and why does it provide such great light?
It’s the period of time one hour after sunrise and one hour before sunset.

Why is the light so great during the golden hour?
Ultimately it is the quality of light that is illuminating your subject, whether you are shooting landscape photography or a portrait or a bride on her wedding day.

Light Diffusion
Photographers talk about hard and soft lighting. Each has its own quality, and each has its own place. For portraits soft light yields a more flattering image and during the golden hour that’s exactly what you get. As the sun drops lower in the sky it’s light rays need to pass through more of the Earth’s atmosphere before it reaches you and your subject. The atmosphere acts as one big diffuser and you get a fantastic light quality that is directional yet soft.

Dynamic Range
When photographing with high-end equipment that can handle large dynamic ranges this isn’t such an issue, however, the dynamic range that is present (that’s the difference in the intensity between the lightest and the darkest part of the image) is much smaller during the golden hour.

Shadow Length
During the middle of the day when the sun is overhead shadows are short and uninteresting but by the time the golden hour rocks around and the sun is low in the sky shadows take on a life of their own.  You can then incorporate them into the scene as interesting compositional elements. Thank you golden hour.

Light Temperature
During the golden hour the light temperature changes to give a much warmer feeling to your images.  The sky can become a beautiful orange, skin tones seem to come alive with rich colours, and landscapes can be saturated with a radiant warmth that bring your images to life.  Of course colour temperature can be altered in camera or using post production techniques- but it really is no substitute for the real deal.

No Panda Eyes
With the sun high overhead it’s common to see photos of people with sunken eyes. It’s just not a flattering look. During the golden hour the sun drops lower in the sky and fills in what would normally be shadows on the face.

Contrast
Okay, so I kind of touched on this one with dynamic range, but just to reiterate. The contrast in the image is reduced, and this can be quite flattering for your subject.

Subject Presence
When trying to get a good portrait of someone it’s not just about finding good light. You also need the photo to convey feeling and emotion. During the golden hour it’s amazing how people seem to relax and simply be present and in the moment. There is just something magical about watching the sunset and you really can get some amazing portraits photographing people during this time.

Whether you are a wedding photographer, landscape photographer, or portrait photographer or photograph any other subject outdoors I’m sure you will find that using the light available during the golden hour will give you fantastic results.

Posted in Uncategorized | Tagged , , , , , , , , , , | Leave a comment

Is a Wedding Album Important?

I firmly believe that it is hugely important to have a wedding album. The following has been said many times before, but it’s worth repeating: when the wedding day is over, the cake has been eaten, your wedding dress goes into storage or is sold and the flowers wilt and die. It’s over for that stuff. So what do you have left to remember your wedding day? Your beautifully captured photos. Your photos will live on, bringing joy to you and future generations as you relive the magic of your day. Bearing these things in mind, I believe it is essential that these timeless images, these amazing pieces of art that are so personal to you, be displayed in the best way possible. A custom-designed wedding album.

magazine wedding album

Nowadays clients seem obsessed with getting a high resolution disc of their wedding photography. But my question to them is what are you going to do with it? As a photographer, I have nearly 14 years of digital photographs sat as binary data on my computer. And I can attest from personal experience that as much as I absolutely adore all these photos and the memories they bring back, it is rare that I boot up my computer with the intention of sitting down and looking through them on my monitor. Having a high resolution disc as a form of backup is a great idea, but I certainly don’t think it should be the end product. Some clients who have purchased only high resolution discs have then gone on to get some very average prints from their local lab and some have even designed their own wedding book. Unfortunately when the image files do not perfectly match the calibration of the labs colour profiles the clients can end up disappointed with the results.

Leaving images in a digital format on a high resolution disc is also not very sensible. The long-term compatibility of the files or the disc is certainly not guaranteed. How easy is it for you nowadays to play your old VHS video collection? I’ve got an awesome MiniDisc collection – but nowhere to play it. My mum and dad have an amazing vinyl record collection – but the record player broke many years ago. This data is lost. Why are JPEG files and CDs / DVDs going to be any different? Ever had your favourite CD get scratched? Ever been told that a hard drive is unreadable? By the same token, 30 years on I am still able to go to the bookcase and be in captivated by my parents wedding album.

In the past, perhaps rather foolishly, I have offered box sets of 6 x 4 prints of all of the final images. To some clients this seems like a great way to remember their wedding. Unfortunately, sorting through and looking at hundreds of individual photo prints isn’t very practical. They can become marked with fingerprints, get bent, and easily go out of sequence. In some instances I have been devastated to see that absolutely beautiful images that I spent many hours in postproduction crafting into individual, personalised artwork, were ultimately never displayed at anything more than the relatively tiny 6 x 4 print. I can’t think of a more detrimental way to take a “WOW” image and suck all the impact out of it (well, maybe just having it on a high resolution disc that you only ever look at once in a blue moon on your monitor!).

Hopefully you’re starting to see why I believe wedding albums are as important today as they ever have been. Here at SNAP! Wedding Photography, we record your day with artistry and mastery. We take the photos that tell the story. We create imagery that stands out from the crowd. And we believe that you should be proud to display and show these photos off through quality custom-designed albums.

bridal wedding album spread

You’ll be able to throw a post wedding party and get your friends and relatives round to amaze them with the album you own. Then spin the clock forward 20 years. Your children come to you and ask: “Mum, Dad, what was your wedding day like?”, and you are able to take them into the study, sit them down on the big comfy couch, and lay before them a beautiful book that contains your wedding day memories in all their beautiful glory. As they turn the pages and become mesmerised by how stunning you looked, and the story that is unfolding before their eyes, you too are transported back to one of the happiest days of your life, surrounded by your closest friends and family.

Having the ability to do that is priceless. And that is why I believe wedding albums are so important, and as relevant today as they were and possibly always will be.

Posted in Wedding Photography | Tagged , , , , , , , , | Leave a comment

No I won’t photograph your wedding!

Why a wedding photographer should limit the number of weddings they photograph.

You may see on some wedding photographer’s websites that they limit themselves to a certain number of weddings they will shoot in any one season. At first glance this may seem to be just a ploy of clever marketing, but from my perspective there is actually a lot more to it than that.

Firstly let’s look at the reasons why it is actually very clever marketing to do this, and secondly let’s take a look at why it is actually a really sensible approach to your business as a wedding photographer. It’s really a win-win because it doesn’t just work out better for you but also for your brides and grooms.

Kaiteriteri - Beach Wedding Photography - Bride and groom kiss

I’ll explain the logic behind it. Let’s break the year down into days you have available to shoot weddings.  365 potential days right?  No of course not, it’s more like 20 or so. But how? Obviously this depends on your location, but let’s just say that the average wedding season lasts for six months. During any season there will be the peak months where you can possibly book yourself out many times over (oh for a cloning machine!) and either side of these there will be a slow months that taper off towards nothing – a bit like a normal distribution curve (bell curve) for those of you that remember high school statistics! Let’s also say that most of the time the weddings occur on the weekend, and let’s also assume that you want to be fresh for your wedding (as those of you who do it will testify, it ain’t no fun shooting full day weddings back to back). So you’re not going to take on back-to-back weddings. Therefore, you are confined to a limited number of dates you are able to shoot weddings anyway. The 365 days of the year you have available to shoot have inevitably been whittled down to around just 20.  I’m being very loose and approximate with my figures here, but you get my point right? You naturally only have a certain number of days you can feasibly shoot weddings. So why not take advantage of this fact and increase the demand for your services?

Well, I believe that’s exactly what a lot of shrewd wedding photographers do, and I know for a fact that’s exactly what one Christchurch wedding photographer does. As soon as you let your potential clients know that you are only available for X number of weddings in a whole year, suddenly, as per the law of supply and demand, the demand for your services goes up. And with demand going up, as with rising demand for any product or service, the price for your wedding photography will go up too.  It is for this reason that I believe the majority of photographers make this fact clear to their clients.  However, I would also like to propose an alternative benefit to A) limiting the number of weddings you shoot in the season, and B) drawing the attention of your potential clients to this fact.

Bride and Groom Silhouetted in rocks - beach wedding photographyBy limiting the number of weddings you are shooting in a season, you are able to:

1) Give each of your wedding clients all the time and attention they deserve. You are actually able to go the extra mile for them.

2) Go into each wedding fresh and revitalised – not burnt out from the wedding the day before.

3) Not turn into a complete zombie spending all your time either photographing or processing images and give some time back to your family.

I have learnt the hard way. When you overcommit in any wedding season ultimately everyone loses. You deprive your family of your time in order to service clients. You deprive your individual clients of dedicated time because you are serving the masses. Your bank balance goes up because you are contracted for more weddings, but this is at the detriment of your long term bank balance and business success. How so you may ask? Well, as you take on more work you are able to finesse your imagery less, and you are unable to take the time to really wow your clients like you can when you limit the number of weddings you do. When you wow your wedding couples they recommend you to future brides and grooms, therefore generating future business. When you do the bare minimum for them, they may be happy with the job you’ve done, but it is unlikely that they’ll go around raving about you. And even worse than this, if you are making mistakes or taking shortcuts because you have overloaded yourself with work, it’s going to catch up with you.

To summarise, a good wedding photography strategy would be to limit the number of weddings you commit to photograph, tell your potential clients that this is what you do and also why you do it (ultimately to benefit them, and by extension this comes back to benefit you). Look after your clients and look after them well, and you will have a long and successful wedding photography career. Thanks for reading.

Posted in Wedding Photography | Tagged , , , , , | Leave a comment

Five mistakes to avoid when designing a wedding album

Five mistakes to avoid when designing a wedding album

Wedding album design can be hard to get right. But there are many ways to make a wedding album stand out, stand the test of time, and stand tall amongst your competitors. But unfortunately there are just as many ways that you can design a wedding album that really look awful.  Below I take a look at what I consider to be five of the biggest mistakes in wedding album design. This is by no means an exhaustive list…

1. Using unsightly graphical elements.
The wedding album should be about the amazing photography you captured for your clients so it can re-tell the story of their day for many years to come – not the latest flourish, swirly pattern or drop shadow that you think looks cool. The more graphical elements you add to the album, the more you take away from your photography, and the more chance you give the album to date. In terms of graphic design, something you think looks great, may not appeal to the eye of your client. Let your photography wow them.

2. Overdoing Photoshop processing techniques
I believe that the photos within an album should speak for themselves.  Too often the effects that are applied to a photo can overwhelm the image itself. Photographers tend to over process images to make up for the fact that it was a bad photo in the first place. This isn’t really a fix. If the image wasn’t good in the first place then it shouldn’t find its way into the album. Photoshop should be used as an enhancement tool to make good photos even better.

3. Using patterned backgrounds
I’m a big fan of the ‘less is more’ philosophy when it comes to wedding album design. Rookie wedding album designers, and couples that go the ‘do-it-yourself’ approach often fall into the trap of using garish and hideous backgrounds just because that option is there. Keeping your album to plain white or black backgrounds without patterns lets the photography standout without having to compete against the underlying pattern. Pure and simple wedding album designs will stand the test of time. You may think that the pattern you have chosen in this season’s latest colours looks great, but just consider how that is going to look when you pull the album out in 10, 20 or 40 years time.

4. Trying to be too contemporary
Using all the latest tricks and techniques in album design may look wonderfully modern today. But what about tomorrow?  It’s not too hard to find online examples of wedding albums that were made just a few years ago, but because of the techniques that the photographer used to give it a modern feel, it now looks hideously out of date.  When I look at albums like this the first thing I notice are these designs. Shouldn’t the first thing that I notice be the photography?

5. Not telling the story of the wedding day
The wedding album serves as the ultimate record of the wedding day. By careful consideration of the images that are included and also with respect to their chronology (the order in which they were taken) the photographer / album designer is able to tell the story of the wedding day.  The bride and groom should be able to relive their wedding day through your album. Through the sequence of the album let the couple be transported back and feel the emotion they felt on their special day.

Know of any wedding album no-no’s that bug you?  Leave a comment and let me know. Thanks for reading.

Posted in Uncategorized | Leave a comment

Do you need a tripod for wedding photography?

To answer this question let us first consider the purpose of a tripod. A photographer will use a tripod to bring stability to their camera which therefore results in a sharper image. Of course 99 times out of 100 a sharp print is what a professional wedding photographer is after. So why then would you choose not to use a tripod? It’s simple – freedom baby!  With the modern DSLR cameras being able to shoot at blisteringly fast shutter speeds even in low light, why on earth would anyone in their right mind want to have their creative freedom stifled by lugging around a unwieldy tripod?  I really don’t know. Having said that though, there is still a time and a place for this trusty piece of equipment.

Wedding photography has really evolved over the past 30 years or so, and we are yet to reach a plateau. One advancement in camera technology that has really changed the way photographers shoot, is the ability to maintain relatively fast shutter speeds in low light. The casualty from this improvement is the once essential tripod. The digital era has opened up creative avenues that previously were just not available. As far as wedding photography goes, the once essential tripod is now considered more of an option and is purely down to shooting preference.  For example, whilst I was out working up a sweat with a bride and groom, my tripod was smugly lounging around in the back of my car. I just didn’t need it – or want to be encumbered by it.

So, with sensors now so good that they can practically see in the dark when do we need to use our old pal the tripod on a wedding day?

1. Shooting the family formals.

When photographing the family formals, either indoors or outdoors, more often than not the camera can be handheld.  However, it can be a great advantage to compose the frame with the camera on the tripod and use a remote shutter release.  This enables you to get involved with the families and for bride and groom.  You can help arrange them exactly as you want them through close interaction, rather than having to guide them from behind the camera lens. Also when you are shooting a larger group and you have rows of people you need a larger depth of field to make sure they’re all in focus (f11 for instance) this will inevitably mean a slower shutter speed, which can result in an image that suffers from camera shake.  Avoid this by using the tripod.  Note – always keep a low ISO rating when shooting family formals – particularly when shooting large groups as the faces are smaller so you really don’t want the few pixels that make up aunt Ethel’s face to be compromised by digital noise.

2. During the speeches

sometimes wedding speeches are hilariously entertaining, littered with comical prose and sidesplitting anecdotes about the couple that you’ve just spent the day photographing.  At times like these it’s really great fun being there photographing the speeches.  And then on the flip side, some wedding speeches are so hideously boring that you fear that half the wedding guests may slip into comas before the end of them. Anyway, a great option to have is to mount your camera on a tripod, lock the focus on the speaker and fire a few frames remotely. After carrying around your heavy camera equipment all day it can be a real blessing to give your body a bit of a break.  Note – when the speeches are good and full of humour, it’s properly not a good idea to have the camera on a tripod as you will want to be able to shoot both the speaker and the reaction of the guests.

3. During the first dance

Actually, no.  Usually the first dance takes place in very very low light.  Possibly the lowest light you have to deal with during the whole wedding day. Yet I don’t believe that using the the correct way to go. The action can move so fast that you want to be able to track the couple quite freely in order to capture all those magic moments.

So when do you need a tripod? Well I actually use a tripod quite a lot – just not for wedding photography. For architectural photography using a tripod is an absolute necessity (if you are wanting to deliver professional results). I also use a tripod most of the time when I’m shooting landscapes. Weddings are different. The modern bride and groom want their wedding day photography to tell a story. The story of their wedding day. In order to do this you need to be liberated from a cumbersome tripod and to be able to move with creativity and freedom. I must stress a caveat though. In order to work in this way without a tripod you need to have a camera that can really handle low light photography with fast shutter speeds and high ISO’s that do not introduce unsightly noise. All of the Nikon full frame DSLR’s are fantastic at this and the Canon full frame sensor range isn’t too far behind either. If you are shooting with sub pro equipment (should you really be shooting the most important day of somebody’s life with anything less than the best?) you could run into problems. Amongst other camera bodies I happen to own a Nikon D200 and this is an absolute pig in low light. Push past ISO 800 and the quality was bordering unacceptable.

To summarise: Use a full frame DSLR and you can pretty much say goodbye to the tripod on the wedding day, if that is how you choose to shoot. If shooting with a smaller sensor camera it is likely that there are times when you will probably still need to use a tripod.

Posted in Wedding Photography | Tagged , , , , , , , , | Leave a comment

Seven steps to guarantee happy customers

It seems there is never to long stretch of time in between when I experience bad customer service. I am a Brit working as a professional photographer in New Zealand, and they tell me that the Kiwis are renowned for excellent customer service.  I beg to differ. Unfortunately bad customer service seems to be prevalent throughout all industries, and despite what the Kiwis seem to believe, New Zealand is no exception. These bad customer experiences inevitably leave a very sour taste in the mouth and sully the relationship that business may have had with you.

In the past two days I’ve had two bad experiences with two separate companies. Both well-known and both industry leaders within their fields, and both situations could have been resolved with a simple word from their staff member. Sorry. It’s such an easy thing to do to take ownership of a problem, fess up, and say sorry. Yet so often it is overlooked. Usually if the customer or client is reasonable, they’ll be understanding and let it go, appeased by your apology.

The first experience was just a simple human error that resulted in a pretty embarrassing experience for me. I phoned my bank to set up a new interest-bearing account and to transfer the funds I had sat in another account along with the corresponding Visa debit card. The admin clerk was pleasant and actioned the changes for me in a timely manner. All good. So I believed.

It was later that evening when I met some friends and family in a bar to celebrate the recent birth of a baby girl in our family. After ordering the first round I went to pay with my Visa debit card. Declined. Hmm.. okay, no problem I’ll just try my other account. Declined. I had a Homer Simpson D’oh! moment and then realised that the amenable Kiwibank clerk was not so proficient with the execution of her duties, leaving me with a rather red face and several beers that I couldn’t pay for and potentially the rest of the evening drinking water. Not really what you want when you’ve made the effort to go out to a bar.

I phoned Kiwibank first thing this morning to rectify the situation. A simple “Sorry” and the correction of the card issue and that would have been the end of the matter. Instead, I am writing this blog post annoyed and frustrated that the lady on the phone this morning did not acknowledge the situation or say sorry. Yes, she actions what she needed to do in her system, but she did not put the situation right. She didn’t do what she needed to do with her customer. She didn’t say sorry.

Skip forward a couple of hours and yet another high profile company fell well short of the mark when it came to putting right something they messed up. After taking my boy to a live performance of The Gruffalo (which was awesome by the way) we went to McDonald’s for a treat. Unfortunately the only thing I was treated to was some first grade bad customer service. And it was this that prompted me to write this article.

Whilst playing with my two year old boy on the McPlayground (who knows if it’s really called this? But if it’s not… it probably should be) the overzealous staff member tending to the area cleaned away the best part of a $23 meal – the remainder of which I was taking home for my wife. I politely explained that she had binned my meal only to be frowned at questionably and then asked “what was in there?”.  She then abruptly turned and walked away. About five minutes later another staff member brought over the food.  “Sorry about that” she said. Well done, I thought, gold star for you. However, I was left wondering about the lady who actually threw the food away in the first place. Why did she not bring the replacement food out to me? Where was her acknowledgement of the extra five minutes I had to stand around kicking my heels waiting for it? Where was her accountability?

So how does all this relate to photography? Well, in exactly the same way it relates to every single business out there. All people make mistakes.  Businesses are made of people.  Therefore businesses make mistakes. But that’s just the way it is and most reasonable customers accept this and will usually be quite understanding of a mistake if the individual representing the business holds up their hands and says the simple words “I’m sorry”.  Of course this isn’t the end of it – the business in question there needs to put it right. Basically it’s a simple formula:

1. Acknowledge the problem.

2. Showing empathy, apologise to the customer or client.

3. Take ownership of the situation.

4. Let the customer know that you will put things right.

5. Put things right.

6. Follow up with the customer to let them know that you’ve put things right.

7. Customer goes away happy (and returns to your business when they require your product or service again).

As a side note I recommend not just appeasing the customer and putting things right, but also going the extra mile. For example, rather than just replacing the food that was thrown away, had McDonald’s dropped an extra cheeseburger into the bag I would have been delighted.

A recent wedding photography client of mine ordered 200 prints. For one reason or another they made a mistake with their ordering references, so they ended up with some of the wrong photos printed out. They wanted to pay me for the prints they had ordered in error and also purchase the correct ones.  I promptly arranged the replacements and also refused to take payment for the additional prints. The client was absolutely delighted.  And delighted clients spread good karma about your business.  Don’t just satisfy the client, delight them.

Posted in Uncategorized | Leave a comment

5 essential photography tools for great architectural photography

Great architectural photography requires a keen eye, an excellent knowledge of lighting, composition and also the equipment necessary to deliver your vision. Below is a list of the equipment necessary to get amazing architectural photos and a discussion of why they are important and the factors you need to consider when selecting your photography gear.

Architects, architectural designers and interior designers are creating work for their clients that takes into consideration form, composition, texture, colour, lighting and a host of other factors that influence their design. You are being employed to capture a visual record of their work looking as good as it can possibly look.  In order to deliver the high quality professional photography results to your client you should invest in the best equipment you can afford.

interior architectural photography of contemporary balcony with seaview

 

 

1. High resolution camera

Often architects and designers will want to enter their designs into awards. For them to be able to do this they need high resolution images that can be printed on large display boards and still maintain crisp definition in the detail of the image. To be able to do this it is essential that you have a high resolution camera. In fact, many architectural publications will not accept image submissions of less than 16 megapixel files. Nowadays this is not so much of an issue with the flagship camera models but Nikon shooters should beware.  Their standard leading camera the Nikon D3 only boasts a 12 megapixel sensor. Having said that though, I know it is quite possible to get fantastic architectural shots with nothing more than a Nikon D700 and some good glass. Apart from the devastating impact of the Japanese earthquake and tsunami on the Nikon Corporation both the D4 and the D800 camera models will rectify this situation.

2. Tripod

For high quality, crisp architectural photos showing the textures with pin sharp clarity a tripod is an invaluable tool. Barring artistic interpretations, ensuring that Horizon lines and the edges of buildings stay parallel with the edges of the photo is an important component of getting a good architectural shot. Using a tripod allows you to compose the frame and guarantee that the lines within your photo remain true.  To make sure your architectural photos remain parallel use a tripod with an inbuilt spirit level.

Most interior photography will be taken incorporating the available light and will therefore require you to use slow shutter speeds. In order to maintain sharp imagery you must use a tripod.

3.  Remote shutter release

being able to fire your camera without physically pushing the shutter adds to image sharpness.  Why?  Even a miniscule movement of the camera body during the exposure will add a hint of motion blur no matter how small. For the sake of striving for perfection I will do whatever it takes to get as sharp an image as possible. The best option is a wireless radio operated shutter release.

4.  Quality wide-angle lenses

ultimately the image quality will come down to how good the lens on the front of your camera is. When choosing a lens do your research and be prepared to pay top dollar for top results. Too many people overlook the importance of supporting quality glass at the front of your camera, this is what separates the amateurs from the pros. Although you will need the full range of lenses to cover any eventuality and architectural photography project may throw at you, probably the most used lens in your kit will be the super wide angle lens.  Good lenses (which can often equate to expensive lenses) minimise such problems as barrel distortion, a lack of sharpness and a lack of contrast.

5.  HDR software

HDR as you probably know stands for high dynamic range, and it’s a big topic, and one I’d like to elaborate on in future blog posts. However, for now, let’s just say it has fast become an invaluable tool for the architectural photographer. Good HDR software such as Photomatix allows you to combine multiple exposures all taken from exactly the same point so that your photograph shows more accurately what the eye sees.

Of course, this is not all you’ll need to create great photos – it’s just a starting point.  Amongst the other necessary gear, probably most important tool rests right between your ears. Work on your skills, work on your knowledge and continue to grow as a photographer.

 

 

Posted in Architectural Photography | Tagged , , , , , , , , | Leave a comment